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Whilst I enjoy and look forward to receiving emails
from my readers, I am quite often inundated with many emails asking
me the same questions over and over again. As much as I would love
to be able to answer each and every mail individually, I am unable
to. So as a result, I shall try to address the most frequently asked
questions here.
Please do read through the below list to make
sure that your questions have not already been answered. Please
also keep in mind that my descriptions below are in a brief easy
to digest form, as most of the information will be re-visited in
a much more detailed manner in various articles through-out the
website. If an article already exist in relation to one of the questions,
you will be directed there at the end of the answer. If all else
fails, and your question has not been answered, please feel free
to contact me.
What is a Geisha?
The word Geisha literally translates to "arts person"
or "one trained in arts" (gei
= art, sha = person). It is also sometimes
described as "women of arts, which is exactly what a Geisha
is - a woman trained in the traditional arts of Japan such as dance,
music, singing to name a few.
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What is a Maiko?
The word Maiko literally translates to "dancing child" (mai
= dance, ko = child), but is also referred
to as "dancing girl". A Maiko is an apprentice Geisha
who must must undergo a period of training that generally takes
5 years, where she learns the various "gei" (arts) such as dancing,
singing, music etc before she becomes a Geisha.
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What is a Geiko?
The word Geiko is another way of saying Geisha. It is predominately
used by Geisha of the Kyoto districts.
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Is there a difference
between Geiko and Geisha?
Whist their appearances are very similar, the main difference between
Geiko and Geisha is largely their location, and also certain customs
and traditions.
The word "Geiko" derives from the Kyoto dialect
of the word and is generally used to refer to those from the Kyoto
hanamachi.
The word "Geisha", which is the more well known
version of the word, is actually the Tokyo dialect for "Geiko".
It was primarily used by geisha of Tokyo and surrounding areas,
but it is now used as the general term to talk about all geisha.
It is also the word most recognized by foreigners than what "Geiko"
is.
Unfortunately there is very little literature about modern day Tokyo
geisha and hangyoku and their customs and traditions. There is also
very little literature about other geisha that reside around the
rest of Japan.
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I know there are Maiko
in Kyoto, what about in Tokyo and elsewhere in Japan?
The Tokyo geisha districts have a rough equivalent to maiko called
Hangyoku (han = half, gyoku
= the amount charged for a full fledge geisha, literally "half
charge"). They originally were young girls who, at the age
of 9 to 10 would join the Tokyo hanamachi and train in the various
arts. A few years later, she would start to entertain at parties.
Hangyoku were less elaborate than the Kyoto maiko and did not wear
the long trailing kimono or obi. They did, however, wear the distinct
red collar.
By the time Liza Dalby wrote her book, "Geisha", originally
published in 1983, hangyoku had pretty much disappeared. It appears
though that there has been a resurgence of them within the last
decade. You can view a hangyoku in all her finery in the A&E
documentary, "The Secret Life of Geisha". This
same documentary also interviews one of the most well known, and
rather infamous "punk geisha", Hana-chan, who was also
a hangyoku. Unfortunately, there is little literature about hangyoku,
so the length of training and duties are unclear at this point of
time.
There is also a group of women in the Asakusa district who go by
the name of "Furisode-san", who appear to mimic the look and feel
of Maiko. It appears that the Furisode-san were created to help
revive some of the older districts. Whether they can be called real
Geisha or not, is debatable. To become a furisode-san, women have
to be between the ages of 18-25 and undergo a training period of
three months to learn basic dance and tea ceremony, along with correct
application of the make-up and kimono dressing.
Official
Furisode-san website
Interesting
Article about Furisode-san
Hana-Chan's website
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Are Maiko and Geisha prostitutes?
Most certainly not! A Maiko and Geisha's profession is based on
preserving the traditional arts such as dance, singing and music
and entertaining in a non-sexual manner.
The confusion as to whether Geisha are prostitutes or not seems
to have stemmed both from the close proximity Geisha had to courtesans
in the Edo era and the fact that they did technically originate
from the red light districts. The main culprit though appears to
be from post World War II occupation by U.S. service men.
Many U.S. service came home from Japan with wild and raunchy stories
of "Gee-sha Girls" whom, for most of the part where not
in fact real Geisha, but rather, ordinary Japanese women or prostitutes
masquerading or calling themselves "Geisha", largely because it
was easiest for the service men to understand.
Of course, the large majority of service men did not know the difference,
and despite the survival of the Geisha districts after the enforcement
of the prostitution laws in 1957 and the subsequent closure of the
red light districts, the misconception has haunted the flower and
willow world ever since.
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Are Oiran and Tayuu "The
Queen of Geisha"?
Certainly not! Oiran and Tayuu were the highest class of courtesans,
or, to put it bluntly, the highest rank in the hierarchy of prostitution
in the pleasure quarters. They were not Geisha, nor were Geisha
Oiran or Tayuu.
Geisha used to work along side Oiran and Tayuu though, entertaining
in a conversational manner and also dancing, singing and playing
music. They were not allowed to compete with the Oiran or Tayuu
for their customers, and many strict sumptuary regulations were
placed on them to enforce this.
After the prostitution laws came into place, there was one Tayuu
house that remained open, to serve as a museum and to preserve the
artistic and cultural elements of the Tayuu lifestyle. This particular
house is called the Wachigaiya, located in the Shimabara
hanamachi.
Some of the women who took on the lifestyle of a modern day Tayuu
(technically, "actresses" who mimic the life of a Tayuu
minus the sexual aspect of it) could possibly have been geisha previously
who,. in addition to their prior knowledge in the traditional arts,
decided to help preserve the artistic culture of the Tayuu.
Website
of Tsukasa Tayuu
Website
of Hana-Koto Tayuu
Website
of Hana-Ougi Tayuu
Website
of Modern Day Kamuro
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 How
can I tell apart a Maiko from a Geisha?
It is actually very simple and easy to distinguish between the two.
Starting from head to toe, the main points of difference are:
• Hairstyle: Maiko have
their natural hair dressed in various traditional styles according
to their position in the Maiko hierarchy. Junior Maiko wear the
Wareshinobu style and progress onto the Ofuku
style as she becomes a senior Maiko. As a senior Maiko, she has
the privilege to wear her hair in the Katsuyama style and
Yakko Shimada style for special occasions, and finally
the Sakkou hairstyle, right before she becomes a Geisha.
The maiko of the Pontocho hanamachi wear an additional 5 hairstyles
through the duration of their training: Umemodoki, Oshidori
no Hina, Osa Bune/fune, Mizu/sui Guruma and
Ikiguruma. Geisha wear a katsura (wig) in the Shimada-mage
style (or traditional style of choice). Please read the hairstyle
article for further information.
• Kanzashi: Maiko wear
a wide variety of kanzashi such as tsumami kanzashi (also called
hana kanzashi) made from habutae silk. They also wear kushi or tenkazari
with silk. These ornaments generally correspond with the relevant
season and month. Geisha only wear a few pins and a kushi in their
hair which are generally plain in style and not covered in silk.
This was a direct result of the sumptuary regulations imposed on
Geisha during the Edo era. The exception being a Geisha performing
a formal tea-ceremony, where she may wear a small hana-kanzashi.
Please view the kanzashi calendar for further information.
•Make Up: Maiko paint their
faces white, but leave a line of bare skin around their natural
hairline. There is also a greater amount of pink blush on the cheek
and eye area, and her eyes and eyebrows have a noticeable amount
of red. She will also only partially paint her lips in (refer to
the diagrams below). When Geisha wear the white make-up, they leave
no bare hair line, due to them wearing katsura. They have minimal
amount of red outlining the eyes and eyebrows, and the pink blush
is subtle. She will paint her lips almost in full. A Geisha not
wearing white make up will wear a subtle, often natural shade of
make-up and her hair pulled back in a simple bun. Please view the
make-up article for further information.
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Junior maiko • faces painted white leaving
bare skin around hairline • cheek/eye areas a noticeable
cherry blossom pink • eyes outlined in deep crimson
and black • eyebrows defined with red/pink under the
black • noticeable element - small proportion of her
lower lip is painted in crimson.
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Senior maiko •faces painted
white leaving bare skin around hairline • cheek/eye
areas a subtle cherry blossom pink • eyes outlined
in deep crimson and black • eyebrows defined with
red/pink under the black • lips partually painted
in crimson. |
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Junior Geisha/Performance Geisha • faces
painted white with the most subtle hint of pink for contouring
• subtle outlining of crimson and black around eyes
• eyebrows faintly defined with red/pink under the black
• lips painted almost in full with crimson. |
Senior Geisha • subdued make-up of choice
- generally of a natural colour or base. |
• Kimono:Maiko kimono is
a noisy (yet tasteful) and colourful affair. She wears a hikizuri
kimono which has the long furisode sleeves that hang down near her
ankles. The upper half of her sleeve will have a tuck along the
width, and her shoulders will also have a tuck. Geisha wear the
much more refined hikizuri kimono with shorter sleeve length or
homongi, if she is not wearing the traditional hairstyle and make-up.
Generally, the kimono will be of one solid colour with a subtle
pattern towards the bottom.
• Obi:Maiko's obi are long
and wide, generally covering a good proportion of her torso from
her hip bone to her breast. The back of the obi bow dangles down
to her ankles. Geisha wear a narrower obi of a more subtle pattern
and generally tie it in the refined Taiko box bow.
• Collar: With the kimono,
Maiko wear a thick heavy embroidered collar. The collar starts of
predominately red, with a smattering of white and silver patterns
on it, and as she increases in age and experience, it slowly turns
to white. The back of the collar though remains red until she turns
into a Geisha. A Geisha wears a wide, yet simple white collar.
• Geta: Last, but not least
- Maiko wear Okobo - high, unpainted wooden clogs that have a bell
on the inside of them. Geisha wear either zori or geta, depending
on the occasion.
Of course, there are many other subtle differences
that will be covered in deeper details in various articles.
Immortal Geisha Articles of Relevance:
Hairstyle Article
Kanzashi Calendar
Make-up Article
Kimono Article (coming soon)
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How
can I tell an Oiran and Tayuu apart from Maiko and Geisha?
There should never be any mistaking between an Oiran or Tayuu with
a Geisha or Maiko! The differences are very pronounced and recognizable.
For those who are still confused though, the main five items are:
• Hairstyle - Oiran and
Tayuu wear the most outlandish, creative and ornate hairstyles.
It is amazing that they can hold their head high and straight with
all that weight! In addition to the hairstyle itself, they wear
a jewelry box worth of kanzashi along with many different ribbons
and cords tied in fancy knots. Whilst the hairstyles and adornments
may have varied from pleasure quarter to pleasure quarter, there
is absolutely no way to mistaken an Oiran or Tayuu hairstyle to
the much more simple Shimada-mage, Wareshinobu or Ofuku hairstyle!
• Kimono - Look at all
those layers and padding! The screaming bright colours! The garnish
designs and uchikake! An iki Geisha would never have been caught
dressed like such considering their "iki" was based on simplicity!
Not only were the kimonos very heavily patterned and embroidered,
it was not unusual for Oiran to wear anywhere to 3 to 5 layers of
kimono, or to at least mimic wearing so many layers by sewing false
collars and padded hems to a single kimono! In addition to the regular
kimono worn tied under the obi, there was also the uchikake (over-kimono)
that was worn over the top of everything, which also, was generally
padded with a thick heavy hem!
•Obi - Geisha and Maiko
never ever, wear their obi's tied at the front! The mental vision
I am getting right now, trying to imagine a Maiko obi tied at the
front, or even the taiko obi is quite amusing! There are two stories
as to how it originated that Oiran and Tayuu wear their obi tied
at the front. The first being that traditionally, married women
tied their obi at the front - and as a masquerade that they were
"married" to their clients for the night, they mimicked the front
tying. The second story is that having the obi tied at the front
obviously makes it much easier and faster to undress and get dressed.
Both plausible, and both ring true. Needless to say though, it is
quite a striking sight to behold!
• Feet - Look at those
cute little toes! Wait a minute?! You mean I can see toes? Oiran
and Tayuu felt it was chic not to wear tabi, even more so in winter
when it was definitely a show of endurance! In addition, nothing
must have driven a man more wild, than to see a tiny hint of bare
flesh.....a dainty toe, sticking out from underneath all the many
layers of kimono. There was a certain group of Geisha who also used
to walk around without tabi on, but this was not widely adopted
by all Geisha, and eventually all Geisha and Maiko did the sensible
thing and wore tabi - at least their toes were not freezing in winter!
• Geta - Koma-geta (or
mitsu ashi - three legs) were obviously the predecessors to the
platform shoes of the 70's. An amazing skill of balance must be
required to be able to strut your stuff on geta a good 12-15 inches
high, along with a multitude of layers of kimono and a rather ornate
hairstyle. Not to forget though, the ordinary form of walking was
not quite striking enough that one particular Tayuu, Katsuyama (the
famed tayuu of the very same Katsuyama hairstyle), developed a rather
interesting way of walking, often referred to as the "Figure 8"
step. Not wanting to be outdone, all the other Tayuu scrambled to
imitate. Use your imagination, it is probably correct! Geisha and
Maiko pale in comparison in the shoe department, wearing only zori
or geta for a Geisha, or the rather plain looking (in comparison)
okobo.
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Visual
Guide to the Difference Between Maiko, Geisha and Tayuu/Oiran
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What is a "Hanamachi"?
The word "Hanamachi" literally means "Flower Town"
(hana = flower, machi
= town) and is the name used to refer to geisha districts.
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How many hanamachi are
there in Kyoto?
There are six hanamachi that exist in Kyoto today. The five geiko
hanamachi are named: Gion Kobu, Gion Higashi,
Miyagawacho, Kamishichiken and Pontocho.
Collectively, they are referred to as Kyoto's Gokagai (Five
Flower Towns).
The sixth hanamachi is the old pleasure quarters of Kyoto, the Shimabara.
After prostitution was made illegal in 1957, all but one ageya,
the Sumiya and one okiya, the Wachigaiya remained open to serve
as museums to help preserve the important historical customs and
traditions of the pleasure quarters. Today, there are women who
act out the life, art and customs of the Tayuu at the Wachigaiya,
minus the sexual aspect.
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What
are the mons (crest) for the Kyoto geiko hanamachi?
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What
is the Calendar of Events for the Kyoto Hanamachi?
Gion Kobu:  Gion
Higashi: 
Kamishichiken: 
Miyagawacho: 
Pontocho: 
| January 1st - 3rd |
New Year Celebrations |
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| January 7th & 9th |
Shigyoshiki |
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| January 13th |
Hatsyuyori |
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| February 2 - 4th |
Setsubun |
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| February 25th |
Baikasai |
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| March 20th |
Ooishiki |
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| April 1st - 30th |
Miyako Odori |
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| April 1st Sun-3rd |
Kyo Odori |
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| April 15 - 25th |
Kitano Odori |
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| April 16th |
Heian Jingu Retaisai Hono Buyo |
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| May 1 - 24th |
Kamogawa Odori |
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| June 3rd Sat-Sun |
Miyako no Nigiwai |
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| June (early) |
Miyabikai |
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| June 1 - 29th |
Gion Matsuri |
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| August 1st |
Hassaku |
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| October 1 - 4th |
Zuiki Matsuri |
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| October 1 - 6th |
Onshukai |
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| October (early) |
Kotobukikai |
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| October |
Suimeikai |
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| October 22nd |
Jidai Matsuri |
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| November 1-10th |
Gion Odori |
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| November 8th |
Kanikakunisai |
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| November (mid) |
Ohitakisai |
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| December 1st |
Okencha |
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| December (early) |
Kaomise Soken |
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| December 13th |
Kotohajime |
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| December 31st |
Okotosan, Okerabi |
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